It seems like there's a take home message here: that making music, is a meeting of the right attitudes more than anything else?
Oh absolutely. From my perspective the right attitude can only come from people with empirical knowledge or experience who've realised that keeping up the standards with equipment is the first thing, keeping that equipment running the best it can, is another thing. It's a small part of it and there are hundreds of them. It's the 1% here, 1% there, 1% there. And the tech is back from that, like the chef is the engineer/producer combination and the sous-chef is the assistant, the tech is the person who made sure all the ingredients were there, ready to go. That's the way I look at it. It's like you grew them all.
I guess people are wondering, after this surfeit of interesting information, whether we're going to be hearing some more from you over the course of time?
Oh no, I'm going to run away and hide. No, I want to do more and more. I want to do more here, inasmuch as I'm going to now, for the first time, with the new workshop, going to be putting parts back together that were taken apart over the 20 years ago (from all round the world). So, I've got rather a lot of modules and Neve parts, but they're all going to be run into the studio before anything ever happens. And, I'm going to be building things particularly for the studio to use - little bespoke bits and bobs, so watch this space. I want the results of the studio recordings to be self-evidently more and more interesting, involving, and of a higher quality. Where you can actually hear that the people who made the record enjoyed it because of my input. That's the whole point. I'm not just here to fix gear.
So you're definitely going to be part of the records?
Oh yeah, a good tech always is. However much they feel that - because their name isn't on the album, they don't get a credit and they certainly don't get a percentage of the royalties - they're somehow not part of it. But, a really good tech knows that they are, just by virtue of the fact of the smile on a producer's face when you walk in - you've worked with them before and they go "oh great it's him!".
It's so nice when you've had that result, especially on a difficult session. I've had it before. Two weeks after a session had finished, a famously difficult producer found the time to phone me up after an awkward session just to say "I'm sorry I but I forgot; I didn't thank you for what you did on that session". It made my month, let alone my day, that he noticed. Because good people do.
They're only trying to do it properly, to the best of their ability, just like you are. If you all realise you are, you just get on. The quality has to be kept up all the way through - you just have to! If everyone in the studio does this, upwards is the only way it can go.